Showing posts with label judge smith. Show all posts
Showing posts with label judge smith. Show all posts

Monday, July 21, 2014

Summing Up



No, I have not abandoned the idea of the Journal, although thirteen and a half months of silence could strengthen this opinion quite well. Probably, there were some more important things in my life, or some other circumstances added to my laziness. So now I need to quickly sum everything up and move on.
The Lost Time mercilessly punishes for each of its hours. So today I can hardly remember just what I've been busy with this whole year. Only some details of my creative life remained, around which my narrative can further revolve. And talking about all-consuming life routine makes no sense to me now, although even some aspects of creative life turn into it.

1. Writing. So far, I already have two stories, to which I somehow need to give birth officially. The ideas on writing them came spontaneously, just like on their constituent episodes, characters and storylines. The first of them was being written as long as 16 months. It happened gradually, but without push. I did not want to invent development myself, so I waited for the continuation to reveal itself. I was really wondering just how the story will end, and to be honest, by the end of the process I was a little bit nervous, I was afraid that I'll miss the right moment. However, this story has eventually found its logical end. The second story formed in my imagination quite long enough to be then realized very quickly. 41 days passed from the moment I started typing the first words up to the last period, typed just yesterday. Now I want to give some pause to understand what can be done with all this. I really hope that in the near future I will be able to talk in detail about each of these two stories, or maybe three, or maybe about their future destiny.

2. Music. The calm in my Journal activity coincided with that in my musical life. Playing with Road Movie band no longer gave me the satisfaction as before, and so the natural process of alienation came, which was aggravated month by month, and reached its peak in mid-November 2013. When making music becomes justified only by its financial side, it becomes just another part of everyday boring routine, and one starts closing his eyes on everything else, and that happened to me. The social situation in our city (and, perhaps, elsewhere) significantly lowered overall interest in attending concerts for our public. Clubs and concert venues become deserted, and, alas, the financial aspect is also stops working. Practically, no more reasonable motivation to move forward is left. Almost. In my opinion, the situation could only be ruled if we had documented and summed the previous stage of the group’s activities up. We needed an album, which based on the format of this incarnation of our group should have been recorded "live in studio." Only then we could think of going forward. Too many bands in my country live by just playing cover versions. Each of them may produce good session musicians, but not the creative work. No, I do not think it is shameful – to play covers. After all, there are bands concentrating on a given group. For example, please take a look at the list of the bands playing the music of Genesis. But when you create your own music....

The group needs new blood, but I too myself had to change qualitatively. Currently, I play in a purely commercial pop project that meets my expectations of mercantile-material nature and develops my musical horizons. But when you want to play your own music....

Another paragraph in this section is taken by one project, which I must write about very soon. It directly relates to my passion for the music of pH/VdGG, and therefore must be described separately. The main thing in it is not only to pay tribute to your favorite artist and get back to the studio work, but the opportunity to sum ​​up my long-delayed past, to reconcile with it and begin to create my own music. Because when you create your music....

Once again, I thank all those with whom I was able to work with, with whom I am working now, and with whom I will work in the future. Without you I wouldn’t be able to understand lot of things.

3. Translations. In the field of translation I was not able to realize my plans (and I wanted to finish translating the entire catalog of the lyrics of Judge Smith), but I still have time to do that, I hope. However, there was a pleasant exception worth mentioning here. It’s due to the feedback received from a reader, the translation of "Curley’s Airships" has been significantly improved. I also managed to participate in the review of a couple of translations done by Sergei Petrushanko for his site, but a much greater contribution was made by me to the "Chords" section of that site. The prolonged contact with my classical Yamaha, the New Year gift I received a couple of years ago from my wife and brother, gave its results. The guitar itself started revealing her secrets, giving hints at how to play a particular song. On this wave I have offered my own versions of chords to perform a number of songs and albums by pH/VdGG, which are being gradually uploaded on Sergey's Russian pH/VdGG Official Web-Site as soon as they are prepared and provided. Incidentally, this occupation had a huge contribution to the activity described in the last paragraph of the previous section, as well as to the purchase of a new acoustic-electric Yamaha guitar, which I managed to use in recording and played one show with it, which, alas, I will regret about for a long time until I wipe it off clean from my face with a normal performance.

4. Happiness. I’d like to sum up the results in finding happiness. Did you know that happiness can be physically felt inside the chest? It is so! The main thing you need to do is to find the right song for the moment. And if it is a song of your own....
No no, I have not yet recorded my songs in the studio, although I am on my way towards it, but I definitely believe that on the day when it happens, I will have another page of my Life Path summed up and closed, and a new one open.

To sum it up, today I say: we are happy in creation.

Tuesday, February 19, 2013

The Lyrics of Judge Smith - Curly's Airships

Done!

The translation of Judge Smith's first songstory "Curly's Airships" into Russian, supplied with introduction and 90+ commentaries and references has been launched today! As always, visit the "Translation" section on The Russian pH/VdGG Page and in subsection 'Judge Smith' find the respective link, or use this direct link to the page.

So now "The Russian Translations of the Judge Smith's Songstories" task is accomplished and you can "take your seats in "Curly's Airship", rise high above the ground up to the highest mountain peaks following "The Climber", and accompanied by the beautiful music played by "Orfeas"". And don't forget to take with you your copy of "What is a 'Songstory'" essay introduced by "The Lyrics of Judge Smith".

Saturday, January 5, 2013

On Translations - part 7

The draft version of "Curly's Airships" translation in Russian is ready!

What still needs to be done is just to reread it, to correct several suspicious lines, to synchronize with Judge's comments, to reread it once again, to check the rhymes in those separate song/radio spot fragments, to work out formatting, to add all the collected comments and references, to mark some special notes regarding the texts, to think out some opening address - and here we are!

Monday, December 17, 2012

A Tribute

A couple of days ago this item  has popped up on eBay.... If I had, well, some 100K$, I would definitely buy it right now. Maybe I could offer my price, but it will surely be insufficient to satisfy the seller. Ah, come what may - since my collection is built upon different principle I should not care much about this case. I will write a Tribute page instead.

Probably, this is the one and only album that connects me to the 60-s, the blessed years of the Flower Children. Only through the music on this record I can somehow feel the essence of that unique experience of the human being's existence on this planet. All other stuff does not catch me to that extent when I could miss those years and feel myself happy at the same time. I cannot think out any other example to serve for me.

Yes, it was then, some 45 years ago, when the times were changing, and the new music created in consequences of events, reflecting all that went before and projecting the future path. A true Here-and-Now music, which turned out to be timeless and unplaced.

Oh, sorry, you might have already asked "WTF??!! Why the price for that piece of plastic and cardboard is that high?!" Well, this copy is unique not only for the VdGG, but for all kind of vinyl/music/rarity collectors: this is the UK (!!!) test pressing of the first ever record made by Van der Graaf Generator. Actually the album was then released only in the USA (this has another interesting story with curious facts involved), so only a few copies of this specific record were pressed, and few copies of this sleeve too. The artworks for the official US-release was absolutely different, with different sleeve notes, and less attractive (in my humble modern opinion). Today almost anybody has a chance to own this piece of my world. One will take it soon.... I always thought I would never see this record on public sale in my life, so to say....

It seems to me that the Flower Children used all the possibilities the Life granted them with. What has left there for us, the modern people? I would say, the union of the Music, Love, and the Spirit. So, again we have everything to start creating what will be Ours. А new era is about to start. What shall come into this Life with this era? How should we be involved into it? How should we present it through our works? All depends on us, so let's do it now!

Today I am more than happy to realize, that the very first notes of the very first track of this very first album of Van der Graaf Generator - the No.1 music for me! - were the sounds created to tie me forever with this Music, to made me feel the Spirit, and still warming that Love inside me. So I shall be keeping this Spirit up and go forward with it!


Thanks go to the friends of mine Tigran Papyan (who brought all of that stuff to our attention and still spreads the word around), Araik Adamyan (R.I.P. - for sharing his tapes with the whole community of ours), Jeff (who shared his taped copy of the Aerosol with me) and, most of them all, to my brother George, who actually brought that tape home and pressed PLAY button. He would do that sooner or later anyway....

Monday, October 8, 2012

On Translations - part 6

FINALLY, I am back!

Not just to the translations activities but to blogging as well. I was off here for more than month, lot of things happened and thoughts nested in my head. I'll come back to those topics later, and now I am happy to say that the project of Curly's Airship translation has been successfully started today (right after final check of translation of Peter Hammill's "Consequences" (coming up on hammill.ru).

Meanwhile, Curly takes us up.... 

Saturday, April 21, 2012

In consequence of silence....

... I will just sum up what took place in the past couple of weeks.
  1. Major involvement in job responsibilities and different minor works leaves no time for Curly's Airship translation at all. I worry about it, but I have played again the whole piece a couple of times.
  2. A "first impression experience" review is written on Peter Hammill's "Consequences" album (will be posted on The Russian Site in a couple of days). "Somehow I relived a mini-model of the-process-of-getting-into-the-pH-works-in-duration-of-time, mapped onto this specific album." The whole review of mine is written in this muddled style coming from subconsciousness. Andy Wood's excellent description of the moment ("I should know by now that PH never gives you what you expect, no matter what  your expectations are. Thankfully.") and Adam's Convictions blog (as I call it) also fit this topic.
  3. Vinyl news in VdGG and pH world: mostly through Twitter I've learned that Consequences is a real candidate for release on vinyl. Also, a new VdGG release "ALT" is going to be release in June on both CD and vinyl. Peter a-kind-of-approved Don's (a Twitter member) guess that "Elsewhere" somehow fits the description of the new album.... Let's wait for a while.
  4. Recorded David Jackson's "Hello" on occasion of David's birthday. I played it with my daughter in free style, she played on violin following the notes written down (she reads notes!) and I took my guitar. Now she understands what was the recording of-even-a-short-piece-of-music-in-the-studio-in-one-go like. Now she understands that I did a good job when recorded my bass part for Empyray's "Declare the War" in one go (in two parts, actually, but it was the band and the recording engineer who stopped the recording process due to some technical reason; the whole track was recorder in one go!).
  5. "Inheritance" - the fourth book of the Inheritance cycle by Christopher Paolini is released in Russian. Will be with me in one month though.
  6. Made some updates source files related to the Always Something New post, and assisted Kevin from Yahoo Groups in creation of PH discography. Oh, and there is the VdGG one prepared!
  7. Consequences grows on me....

Friday, March 9, 2012

The Lyrics of Judge Smith

Glad to say that "Translation" section on The Russian pH/VdGG Page has been enhanced today with a new subsection: Judge Smith!  Currently it contains translations of both "The Climber" and "Orfeas", as well as the translation of Judge's "What is a 'Songstory'" essay, which is introduced by "The Lyrics of Judge Smith". In fact, "The Fall of the House of Usher" was also translated many years ago, but it enriches the "Hammill" list.

Although I have already made a couple of dozens of "last" corrections recently, Sergey (the owner of the site) has told me to double check everything. I hope that the texts are now final - it took one month to set my head free, then to get back to this task again and only then to figure out the flaws in my texts that my eyes got used to at the earlier stages.

Multiple comments to the translations take readers to Russian-language web resources, except for several references. Either I couldn't find decent pages, or the Russian sources lacked something important. For example, the Russian version of "Eurovision" page in Wikipedia does not mention "Douze Points", which is quite important for that case, in my opinion.

OK, time to get back to my work assignments, and to prepare for a bigger task - the translation of Judge's "Curly's Airships".

Monday, February 6, 2012

Russian equivalent of 'a songstory' word - My Choice

.... And Judge replied.

Not that I got blessing in his reply for using one of the variants and prohibition for the other, no. He just stated the key features that his neologism contains. It wouldn't be bad to keep them intact.

"I adopted it [the neologism], as much as anything else, for the sound of the word 'SSSSongSSSStory'. As long as your Russian version includes the idea of Narration or Storytelling, and the idea of singing or a song, and the word sounds attractive, it will work well."



I had three more days of choosing headache, and even came up with the third variant, but eventually, with a help from a couple of fresh pairs of ears on sober-minded heads, and one not sober (drunk, that was mine) I made my choice upon the latter variant: Песнесказ [p`es - ne - sk`az].

More on the development progress can be found here and here.

P.S. And now I reflect, is there a point in stretching the process of launching of these translations? Maybe both should go simultaneously? Let's see what Sergey suggests - he will actually be doing it.

Wednesday, January 25, 2012

Russian equivalent of 'a songstory' word - Mistakes

Six days ago a proudly stated here about finding an equivalent of "a songstory" word in Russian language. Then I relaxed. But today I woke up with another candidate. You can kill me but I won't be able to remember what did I see there in my dream, but this new word has sat deep in my mind; on my way to work I was trying to remember all those arguments that stood pros for my first variant, and re-read that post of mine upon arrival to the office and now it seems to me that I have found at least three mistakes in my reflections.

1. Somehow I tied myself to "повество-" root that was suggested by the variant found on the Web. Yes, it seems more poetical, more melodious than "сказ-", but both words "повесть" and "рассказ" equally appear to be analogues of "a story".

2. Having once again thoroughly read the English original (as if I didn't do that before!) I understood that my approach of reading the word backwards has changed the essence. Songstory.... First song, then story. "song""story" is what should have been emphasized, and "story""song" is an adjective here. But I emphasized the process of singing, with just a shade of narrative applied. As a result I got "narrative singing", but it should be opposite: a narrative (story) that is being sung.

3. Finally, I suppose I was wrong in introducing the nature of a songstory as "the story finds its meaning (or starts living) when being sung". But we see the pictures as I read the lyrics, don't we?

To be short, I think I've had overphilosophized. I should not have changed anything, I should translate in a simple and easy way. For example:

a song - "песня"
a story - "рассказ", "история".
a songstory - a composite word, two roots used, the latter is the main one (story), the former just defines the nature (song-, as adjective).
"о" and "е" - two connective vowels in Russian. I am not yet sure whether I can successfully use "о", but if "е" is used.... "песн-е-сказ" is what we get.

But some worm is gnawing me: what if I wake up someday next week with another variant?

I need a judge to judge me. Judge would do it better....

Sunday, January 22, 2012

On Translations - part 5

I wasn't clear saying that I am doing a "rhymed" translation of 'The Climber'. It should be mentioned here that The Climber is not rhymed in principle (being a songstory). I meant not that I am going to rhyme what has not been rhymed, but that I was going to bring the Russian translation phonetically and rhythmically as closer to the English original as possible. And this is another story.

One more addition to be done: 'a songstory' term was actually suggested by John Ellis. Judge substantiated that musical form and approved the suggested term, to actively use it further on.

P.S. This Judge Smith's essay has been translated into Russian. Probably tomorrow everything will be ready to be web-published....

Friday, January 20, 2012

Russian equivalent of 'a songstory' word

This post of mine is another bilingual one again due to the topic introduced. I found another equivalent in Russian language to express the meaning of 'a songstory' in one word.

The recently found "повествопесня" uses, as the English original does, two roots: "повесть" and "песня". However the latter refers to a single song. The word I chose - "пение" - stands for "singing", thus making my version slightly weaker. However if one goes through those words in reverse order, s/he can find that the term is described like "stories that are being sung", meaning that "the story finds its meaning" or "starts living" when being sung. Hence this would describe not the process but the nature of this piece of work.

Also, in Russian there is "повествование" word that means "narration", which supports the process of origination of this new word in the best way, I believe.

So, I propose another Russian analogue of the English 'a songstory' (invented by John Ellis): 'повествопение'.

You are most welcome to propose a better version! I will be happy if I find anybody else interested in this stuff.

Added 6 days later, on January 26, 2012:
IMPORTANT! The development of this topic is presented here.

Thursday, January 19, 2012

On Translations - part 4

Status
My Climber is ready. After I finished my "final" run yesterday I shut the computer down immediately, leaving only one chance for the ultimate "dress-rehearsal" run. What has been done is another comment of medical nature added, some better options chosen, but nothing reworked. There were three pieces that took most of that run time, but eventually I get back to the initial readings. I marked those three places in the text for my own records, just to see if any side feedback arrives in that regards. Also, I found much more minor places than I did yesterday that do not "match" mathematically or rhythmically or phonetically (and marked them too for my own internal use), however I decided not to go on correcting them all. There is no need for that already. So I can say that the translation of "The Climber" by Judge Smith has been finalized today.


Orfeas
As for this piece of work, I think I will not be pursuing the same goal of providing rhymed translation. No need to tickle my own vanity. This can be done, I presume, but that will not be interesting for me already. "The Climber" demanded it, while "Orfeas" wants something new. In fact, what I tried to do in my Climber was already implemented in Judge's "Orfeas", at a higher level though. I adapted one language to another following the same rhythm and music; Judge adapted music to a human speech. He describes that process here, you should read it.As I wrote earlier - the draft is done, however based on my experience with "The Climber" I can make an estimate and say that this will require up to one week to present the ultimate version of my Orfeas. But before that...


Scheduled tasks
.... before that I need to write an Introduction to the translations of Judge Smith's lyrics, and to translate that wonderful essay by Judge on Songstories. Once I met a Russian interpretation of that word invented by Judge, but I will think twice before I reuse it. Who knows maybe I will be able to find something more attractive. As soon as I have both prepared they will be posted on hammill.ru. So, "Coming soon!"....

Wednesday, January 18, 2012

On Translations - part 3

Status
It turned out to be quite a busy day, so done nothing in this direction today. However, yesterday I succeeded in further polishing of my Climber (leaving only a dozen of out-of-sync syllables; in fact there were more before that), and also added more comments on the mentioned food and wines.

Questions
1. How to proceed? Should I take another look into my Climber or should I keep it aside and proceed with my Orfeas?
2. Do I want to present both translations together, or it would be better to post them in series? I think the latter option is the winner: let them arrive from time to time not bothering each other. Also, if I would want to post two of them together, then why not to post three?
3. So, I need to take a short rest before I am ready to post my Climber. He will climb first, and Orfeas will follow. But for how long can I postpone the launching date?

Tuesday, January 17, 2012

On Translations - part 2

Status of "The Climber"
The translation of "The Climber" is verified, a couple of minor (hopefully final) edits done and, I think, correct decision made: I am going to present the rhymed translation as my ultimate output. The lyrics is so deeply interconnects with the music that I think it deserves such a treatment. Those dozen of tiny fragments that simply need to be sung quickly, or stretched to due to different syllable count and differences in the rhythmic construction do not affect overall impression, and in general the whole piece can be read without singing as well (something like watching a movie without sound).

Orfeas
Yes, about to start the second round of going through Orfeas draft. While running through The Climber I noticed that my translation got improved by the moment I reached the end. Not to say that it was weak from the beginning, but that I caught the thread, and successfully followed it. Since Orfeas was my second output, I hope this will be felt even better here. By the way, only four comments have been added to The Climber, mostly the translations of minor occurrences of some words in Italian, and one on the North Italian Plain, for the name of which I had to apply minor rewording. Orfeas already has more than thirty....

Questions
No such at the moment. Now need to take a short break, and then make some noise to welcome the George Orfeas Band!

Monday, January 16, 2012

On Translations - part 1

Status
Both "The Climber" and "Orfeas" are translated (one week passed since then, in fact). In-line versions were done on one and in one and a half days, respectively. However, I felt that this is not enough and I can do more than go over them polishing and improving some rhymes. Having Judge's approval in hands, I decided not to get into rush and produce some decent translation made of words and phrases, but to put myself in them. So, what can be done here?

The Climber
The Climber is a beautiful piece of work, requiring not just to be understood, but to be sung. At my first attempt (at work!) I did the first "Choir" part - and I decided to prepare another translation of the whole piece. A rhymed one! I want it to be sung in as many languages as possible. That was quite a challenge for me: the meaning should be delivered, the rhyme to be preserved, and, if possible, phonetically both original and derived texts should match. Today I am happy to say that this task is done. I celebrated it with another cigarette and now need to replay it with the Russian lyrics to see how the whole piece goes. Who knows, maybe I will decide to delete that file immediately? :-)

Orfeas
Orfeas is different. This is a powerful piece of music.... no, I should say "of Music". It is all about Music and people. It is so very different in styles, in music, in lyrics, that I need to think out a correct way of working in to get the ultimate translation.

Questions
I am still in doubt about which one should be the ultimate translation for "The Climber". Do people need to sing it anytime they read it, I mean to keep music in mind, or it will be better to present a simple version in poem-like form for easier reading? Or should I present both? I think I need even more time/effort to find the answer....